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Vimy Underground

Early in the film Vimy Underground (The History Channel – Nov. 6th, 8pm ET) Lt. Col Shane Schreiver descends into a Cavern near Neuville St Vaast France. The cavern, originally…

Early in the film Vimy Underground (The History Channel – Nov. 6th, 8pm ET) Lt. Col Shane Schreiver descends into a Cavern near Neuville St Vaast France. The cavern, originally constructed by french farmers to hide in in time of war, was used by Canadian Soldiers during the Great War in the days leading up to the battle of Vimy Ridge.  The walls are dotted with carvings made by the soldiers as they waited underground, some carved their names, some made elaborate carvings of regimental insignia, some drew characters, some carved more rudimentary regimental crests. As the camera paused on one of the names carved in the wall my heart jumped. The name, W.S. McNicol, belonged to my grandfather’s best friend, Stewart McNichol. The date showed it was carved on the 28th of March 1917, just eleven days before he was killed at Vimy, only metres after "going over the top" next to my grandfather.Stewart

The film, unfortunately doesn’t live up to its promise of those first few moments, and an opportunity to tell more of the stories of these men was squandered.  A large part of the film is dedicated to a handwriting analyst, who supposedly can tell from the mens’ carvings what they were like in life, even sitting in on a hypnosis session with her to overcome her claustrophobia so she can go down into the cavern. 

The film, to my mind anyway, would have been much better concentrating on the stories of the men who left their marks on a chalk tunnel 90 years ago. The parts of the film that dealt with soldiers, such as Grant Phelps and Alec Ambler (a master stone mason who carved incredible reliefs of regimental crests in the chalk), were great, there needed to be more of that in the film. The part of the film where Ambler’s 81 year old son descended to see his father’s handiwork was especially poignant. There needed to be more of that.

For myself, a personal highlight came early in the film. A carving of the 16th Canadian Scottish crest, carved by my grandfather, his name proudly carved in outline underneath "A.T. KINES" is shown and highlighted by a trench art expert, an overlay of who he was flashed onto the screen. It is a piece of my family’s history that I never knew existed until the film yesterday. A piece of family history that no one in the family knew existed.

By way of disclaimer I should point out that my grandfather’s story was going to be a larger part of this film originally. My father and I were filmed in Roblin talking about Grandpa while going through some of his mementos and photographs. While I don’t believe that not having more of his story included is colouring my criticism of the film, I suppose I must acknowledge that it may. I just think that the story could have painted a much better picture of the men who lived, fought, and sometimes died over there, who left their mark on a chalk wall, long buried beneath the soil of France. Whether those stories included my grandfather or not is irrelevant, but the film should have told more of their stories.

As the film ended there was list of some of the names of the soldiers
on the wall. I noticed four names of men of the 16th, mentioned by my
grandfather in his memoirs or stories, Dan Holmes, Leo Kenny, Stewart
McNicol and Jim Pinnegar. Of the five men, Dan, Leo and Jim were all
wounded at Vimy, Stewart was killed, and only Grandpa came back alone.Grandpa_louis_hornsby

I am extremely grateful that the makers of the film revealed a little bit of my Grandfather to the world. I wish they would have concentrated on the soldiers stories, they are what needed to be told.

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