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The Short list

A short while back I received an email from Canadian Geographic advising of a special wildlife issue coming out. This issue would use photos from selected photographers who had entered…

A short while back I received an email from Canadian Geographic advising of a special wildlife issue coming out. This issue would use photos from selected photographers who had entered their photo contests and were short listed. The problem was the email (actually there were two) were sufficiently vague that it was difficult to tell whether it was genuine, or a pretty darn good phishing attempt.

A couple of emails later, through the CG site, and a direct one from the issue's editor, and it turns out that this is genuine. The next problem, I had no idea what photos I had submitted, and as it was done online as opposed to by email, I didn't have a record of them.  Again an email to the issue's editor cleared that out. It was the photographer that they selected, not the specific images.

I was to select up to two images to submit for consideration. But which two?  Not that they're all wildlife or bird photos, but I've taken almost 10,000 photos in the years since I got the Canon DSLR. And without a specific species or theme how do you choose amongst them?

Well, I asked (on facebook and to friends) but I knew that ultimately I'd have to go with something that I felt would fit the bill. One thing to narrow it down was that I knew it would be a bird photo, as with one or two exceptions most of my mammal or insect shots are pretty poor.

So again to limit the process I thought I'd limit it to images I had on Aperture. For the most part that would be photos from the last couple of years, plus I've been a little more diligent in tossing images since I've started using that program. I created a file for the shortlist and then started through some of the other files, duplicating and transferring ones that caught my eye.

From there I went through that file, tossing photos for various reasons, such as lack of sharpness, or not enough resolution to meet the criteria. There were photos that were pretty nice photos of individual birds (I've taken a lot of Pacific Loon photos lately) but that lacked a certain visual impact or decent composure. Such as this one: nice photo, but its just not enough. _MG_9309 (1)

That brought me down to twenty-two images. And a further cull took me down to ten. Those ten, are below the fold, along with which, two I eventually submitted.

This first image, the oldest of the bunch, is clearly one of my favourite images, and its of my favourite bird.  Taken as the birds were playing in the wind currents above the House, I find it a very visually striking image.  Originally colour, the sky in black and white looks much more overcast and dramatic. _MG_1767 - Version 2

This next image, of a family of Long-tailed Ducks, was also older and taken last July. I like it because of the flat water devoid of any detail except for their wakes. It gives me the impression that the ducks are floating on nothing. It was shot on a drizzly overcast day as the birds swam in a narrow channel between me and the ice on Marcil Lake. It is obviously cropped, as I thought it made a better image without the ice. _MG_4545 - Version 2

This portrait of a female Lapland Longspur in the rain was actually taken the same day as the previous photo.  She is one wet bird in the steady drizzle that was taking place. The appeal here, for me, is the "reflection" of her colours in the lichens of the rocks she is perched on. The problem I have with this photo is that the background was bleached in post processing in Aperature, and I'm not sure if that would make it suitable for their publication. _MG_4565 - Version 2

I love this portrait of an American Pipit, taken on the side of the road last fall. It is tack sharp, and beautifully lit, and probably the purist "bird picture" of the lot. _MG_5448 - Version 2

This is probably the photo I agonized over more than almost all of the others. It is (I think) a great shot and difficult because it is white on white. It was taken in poor light in a canyon in February, Valentine's Day to be precise, and I wish it was much sharper than it is, which is why I ultimately rejected it. Another Rock Ptarmigan shot from the same time made the early cut, with more birds and red rocks, but this was more visually appealing to me. _MG_6742 - Version 2

This is another American Pipit, probably the first I saw this year.  It's another crisp shot, plus it has the added bonus of some behaviour. This male is displaying, strutting his stuff if you will, for a nearby female. _MG_7735 - Version 2

This photo is hands down my favourite photo of the year, and yet I'm unable to clearly articulate why. It also doesn't seem to have that sort of appeal to others. When I first posted it on my blog and on FB, I don't think there was one comment on it. It possess some "frozen in time" qualities that I like. It was also a lucky shot, as I fired off several frames of these Long-tailed Ducks as they flushed from the pond I was photographing them, into a neighbouring one. Again, I like it, I'm not sure it holds any wider appeal. _MG_8146 - Version 2

And finally in the pile that was ultimately rejected (by me) is this one playing on the cuteness factor. A Baird's Sandpiper hatchling, back lit by the Sun.  It moved like the devil by the way, and if it wasn't back lit would have been extremely hard to follow.  _MG_8794 - Version 2

Which leaves the two that I ultimately submitted. I laboured over this one, bouncing back and forth between it and the Raven photo. This photo of a male White-rumped Sandpiper flying in to display for a female, took place in a very busy evening for shorebird observing at Marcil Lake.  I chose this photo because of the lines formed by the birds and their reflections. It is visually satisfying to me, although it could easily be argued that it lacks enough tension to make it a decent shot. We'll see if they like it. _MG_7921 - Version 2

The next one, I might have easily substituted for one of the others if I went through the process again. It is a young Lapland Longspur, photographed at near eye level. It was up on the bank of the river I was walking along. I think part of the draw for this photo is the inclusion of the tundra with the bird.  This is where it would usually be found, and there is plenty to draw the eye to in these wonderful tundra plants. _MG_5539 - Version 2

So that's that.  The submission has been made, now we'll wait and see if I progress beyond their short list.

 

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